Editions - 2024
This year, 19 articles, written by students of all years of our BA and MA programs in art history, will be published in two editions of the journal. Abstracts and author bios will appear shortly on the website, but for now here are the auhors and the topics of their essays.
Edition 1
Annabel Quick, “Asking Nicely: the Yes Men capitalise contingency”
Anne van Antwerpen, “Skirts and Squares: How the bevrijdingsrok serves as a mode of feminist communication in times of despair”
Lieske van Oosten, “A Touch of Vermeer: 3D prints and their use for the visually impaired museum visitor”
Ruben Hazenbos, “The reblogged image”
Emma Slootmans, “Putting photographs back into the memory realm: Malignant Influences and a new photographic practice”
Ivo Kolk, “On the historical conditions of Leonardo’s Paragone”
Dasha Lohvynova, “Folklore ornamentations as active carriers of cultural trauma in Ukrainian society”
Andrea Neelissen, “Farming in the Future: Pig City and the Promise of Utopia in Dutch Agriculture”
Rutger Schim van der Loeff, “POST (2023): Postmemory in the Age of Virtual Photography”
Zofia Tamborska, “Buddha Looking at Himself: Nam June Paik, the TV-Buddha and Orientalism in Western Art History”
Book reviews:
Bastiaan Duynstee, Review of Eduardo Navas: The Rise of Metacreativity: AI Aesthetics after Remix
Marijntje van der Spek, Review of Elizabeth E. Wood and Kiersten F. Latham: The Objects of Experience: Transforming visitor-object encounters in museums
Edition 2
Hanna Imielska, “To represent the memory of the unimaginable one has to forget conventions: The case of redefining history writing in Walid Raad’s Atlas Group Archive”
Isa Bernhart, “Christus voor Pilatus, een blad van de Meesters van Otto van Moerdrecht”
Sophie Kunst, “Reinventing Anthropomorphism Executioner Style: A Multidisciplinary Examination of Catherine Chalmers' American Cockroach, Execution Series”
Lydi Baelde Jansen, “Evolution of a Framework: Adrian Piper’s Triple Negation in 2020”
Evie Haultain, “The Problem with the Political: considering First Nations perspectives”
Lorraine Singleton, “Ivana Bašić and Xenofeminism: The Liberation to be Found in Metamorphosis”
Ilya Markov, “(In)animate Stones in Jimmie Durham’s The Dangers of Petrification II”
Ali Tuna, “Empathizing with Plants in the Cybernet: Agency and the Body of the Plant in Eduardo Kac’s Teleporting an Unknown State (1994-1996)”
Brigitte Lap, “Rachel Ruysch: Een uitzondering die de regel bevestigt?”
Book Reviews:
Roos Kila, Review of Steve Baker: The Postmodern Animal
Eva Bartoleschi, Review of: Richard Sandell, Museums, Moralities and Human Rights